Theatrical research reception, receptivity and the fantasy of the researcher
Article Sidebar
Main Article Content
Abstract
Assuming the role of the theatrical researcher as an spectator from a heuristic proposition, the piece problematizes the ideas of aesthetic reception and receptivity experienced in such capacity. The starting point is Jorge Dubatti’s invitation for the researcher to develop, assuming this condition, a convivially situated course of action. A beginning that, in the case of this piece, it’s also an excuse and an epistemological justification to develop wider coordinates regarding audiences and theatrical spectators.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles