Alfonso Reyes and the future’s cinema
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Abstract
The present paper considers placing Alfonso Reyes’s thought regarding cinema in the frame of the first cinema receptions, considering also how this reflection is joint to the Mexican’s criticism thought. Especially, they analyze the way that, through speculation, Reyes tries possible redefinitions for a new distribution of the sensitive and the arts, of the cognitive and sensitive light’s values and of the links between arts and science. What you read in Reyes is an effort for thinking new inventions forms that comes out of (or might come out of) the cinematographic art.
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