A Theoretical Frame for a Study of the Script in the Chilean Cinema: Preliminary Notes
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Abstract
The article presents the theoretical frame to study the models of script in the Chilean cinema. The literature published and the increasing interest in the scriptwriters’ formation in the audio-visual industry, both in Chile and in foreigner, realize of the need to approach the dramaturgy and the professional standards from an of integration vision, which it overcomes the classic models of creative writing. Beyond the differences or agreements of the above mentioned theories, the scriptwriter −for acceptance or denial− seemed that it cannot obviate the influences of any basic rules of narrative structure.
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