The Phenomenon of Postgraffiti in Buenos Aires
Article Sidebar
Main Article Content
Abstract
Since 2001, the art on the streets of Buenos Aires reflected the Argentinean socio-political and economic crisis and its subsequent recovery. Images proposed by street art imposed a break up with neo-liberal culture by fracturing the sign: first, through walls flooded with graffiti, interventions, and stencils denouncing the system, and then, through huge murals, an alternative aesthetic to the capitalization of the city reflected in advertising and mass media. Argentinean street art is conceived as a revolution
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles