Aesthetic paradigm and decorative arts in Republican Chile: an approach through the exhibitions of 1873 and 1875

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Solène Bergot
Enrique Vergara Leyton
Claudio Garrido Peña

Abstract

This article reflects on the change in the aesthetic paradigm which affected the material environment of the Chilean elite in the 1870s. In this respect, it suggests that the shift from a colonial culture towards a new culture of “good taste”, based on Neoclassical and French style, was in line with the national project planned and implemented by the elites after the Independence, a project based on the concepts of modernity and progress. As for material culture, this phenomenon was evident in two spaces in particular: exhibitions as an instance for intervention and palaces as a place for reception and appropriation

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Author Biographies

Solène Bergot

Universidad Andrés Bello

Enrique Vergara Leyton

Pontificia Universidad Católica de Chile

Claudio Garrido Peña

Universidad Diego Portales. Santiago, Chile.