Art and Algorithms
Article Sidebar
Main Article Content
Abstract
In this article, I want to differentiate between two uses of technology to aid artistic crea-tion: augmentative use and substitutive use. I defend the idea that most of the historical relationship between art and technology has been framed within an augmentative use, that is, technology has helped artists in the creation, production and distribution of their art. However, digital technologies (ICT) and in particular the use of Artificial Intelligence (AI) systems and algorithms are causing a paradigm shift from augmentative to substitutive use. The substitutive use of certain technologies –AI systems and algorithms– implies a radical transformation in the nature of art, its value and the role of the artist. Currently, AI systems and algorithms can paint, compose music and write text in a non-supervised way. Having said that, I want to reflect on the philosophical implications of the progressive substitutive use of technology in art to explore questions such as: Can machines create art? Can we talk about machine creativity? Can a machine claim copyright or intellectual property of a work?
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles