Essay on the decomposition and recomposition of images, texts and sounds in Le Gai Savoir (Jean-Luc Godard, 1968)

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Miguel Alfonso Bouhaben

Abstract

The subject of this piece is the analysis of the critical device of decomposition-recomposition of images, texts and sounds in Le Gai Savoir (1968) by Jean-Luc Godard, in light of Julia Kristeva´s textual practices, Jacques Derrida’s deconstruction, Gilles Deleuze’s theory of the difference, and through the use of two critical concepts forged for this article: Stammering and Dissidance.

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Author Biography

Miguel Alfonso Bouhaben

 Universidad Complutense de Madrid, España mabouhaben@gmail.com