A Reading of Marcel Duchamp’s The Large Glass and Juan Luis Martínez’s La Nueva Novela as a Meta-poetic and Self-reflective Articulation

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Andrés Cáceres Milnes

Abstract

This article intends to analyze Juan Luis Martínez’s La nueva novela following a close articulation of this text with Marcel Duchamp’s work El gran vidrio under the notion of appearance/apparition, understood here as an element of textual transparency. From this perspective, a meta-poetic and self-reflexive reading is proposed in the context of a modern world in crisis. 

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Author Biography

Andrés Cáceres Milnes

Universidad de Playa Ancha, Valparaíso

acaceres@upla.cl