Non-fiction literature in Rodolfo Walsh: politicization of art and historical experience

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Fabiana Grasselli
Mariano Salomone

Abstract

The works of Rodolfo Walsh are marked by a strong connection between an aesthetic and a political practice. In this work we propose to engage in the constellation of nonfi ction texts written by the author in the 60s and 70s period. These texts pursue a conception of art as bearer of a certain «danger» that is anchored to its enormous power to embody an intervention in historical and social reality. We analyze the way in which certain elements relate to each other: the criticism of a sacralization of bourgeois art, the strategies of writing (the montage), and the will to contribute to the reconstruction of a social memory that explains the historical experience of the working classes (their state of emergency, the political violence). 

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Author Biographies

Fabiana Grasselli

Grupo de trabajo «Sociedad, Política y Género»,

INCIHUSA-CONICET - Argentina

fhebeg@hotmail.com

Mariano Salomone

Grupo de trabajo «Sociedad, Política y Género»,

INCIHUSA-CONICET - Argentina

marianosalomone@hotmail.com