La violencia como opción creativa en la obra de Martin Scorsese

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Luis Cécéreu L.

Abstract

Martin Scorsese is one ofthe mostprestigious authors ofpresent-dayfilm-making. The conceptual spissitude ofher movies. His style is defined in a rigorous and personal construction. The diversity ofrelations to cinematic traditions, are constant referents in his works; they are some of the contributions offered throughout his extensive filmography.
The poetics of violence. Its postulation asform oflife. Personal experiences presented as prívate codes of information. His religious concerns. The cinematic work as a
reflection ofhis own language.
Suchfactors are described in the présent article, as elements inherent in Scorsese 's work, whichfindin his movie Mean Streets (1973), a model ofexemplification.

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Articles
Author Biography

Luis Cécéreu L., Pontificia Universidad Católica de Chile

Instituto de Estética
Facultad de Filosofía
Pontificia Universidad Católica de Chile