Japanism: Another Way of Reading Alejandro Zambra

11-18

Mário de Andrade: Macunaíma, a Hero Without a Character. A Parody in Search of Cultural Descolonization

19-35

“A Dead Woman Only Departs”. The Dissolution of the Subject and the Restoration of the Country: the Problem of Admissibility in Alejandra del Río's Poetry

37-60

Tell Me What You Eat and I Will Tell You What You Are. Everyday Life, Food and Immigration in Spanish Cinema

61-74

Two Women Poets of the Modernirty: Nahui Olin and Gabriela Mistral in Post Revolutionary Mexico

75-90

Religion and the Angel’s Wake Tradition in Violeta Parra’s Art and Lyrics

91-109

A Cohort of Artists-Managers

111-123

Elaboration of Remembrance and Identity Under Political Violence: Ashánika Narratives in the Peruvian Amazon

125-133

Uruguayan Literature in the Sixties: Crisis, Political Vanguard and New Narratives

135-149

Literate Ceremonies: Cultural Field's Representations in Narratives by Latinamerican and Caribbean Women Writers (First Half of the 20th Century)

151-167

Memory and Insubordination in the Narrative of Chilean Women in the 21st Century

169-182

Entrevista a Ainhoa Vásquez Mejías, autora del libro Feminicidio en Chile: Una realidad ficcionada

Personalidades virtuales, cyborgs enamorados y concisión polisémica. Una conversación con Diego Muñoz Valenzuela

199-205

Crítica cultural como práctica de independencia

185-188

Las nuevas rebeldías. Presentación de La resta, de Alia Trabucco Zerán. Santiago: Tajamar, 2015

209-212

Sangre falsa. Presentación de Feminicidio en Chile: una realidad ficcionada, de Ainhoa Vázquez Mejías. Santiago: Cuarto Propio, 2016.

213-215